Showing posts with label demo. Show all posts
Showing posts with label demo. Show all posts

Saturday, October 27, 2012

Wartillery - (2010) Your War Sucks without Artillery [320]


Just to let you know that I'm currently digging this stuff. Quite decent thrash / crossover band from Brunei Darussalam. However, I need to have a few more listens before the verdict can be delivered. Formed somewhere on 2008, band members were influenced by thrash metal music after apparently playing Guitar Hero in which they were exposed to songs from Slayer and Metallica (duh!). So if you want to know what they sound like, try downloading the demo here. Of course, the physical release is no longer available.

Tracklist:

1. Distorted Vision 4:46
2. Unleashing the Pain 3:47
3. Speed Assault 4:10
4. Metal Surgery 1:14
5. Die Harder! 2:37

Total time: 16:34

Format: .mp3
Quality: Lossy
Bitrate: 320 Kbps (CBR)
Frequency Rate: 44 kHz
Bit Depth: 16
Channel: Joint Stereo
Encoder Delay: Present
Zero Padding: Present
Size: 38.7 Mb
Password: manifestationovevil

Friday, December 30, 2011

Daemon - (1992) Hellstorm [24 bit .flac]


This band had more death metal edge than black. Hailing from Kuala Belait, they originally formed under the name Daredevil but according to some rumors, Daemon was appropriated sometime in 1988 as they started venturing into extreme end of musicianship. Hellstorm was among the most obscure demo tape which could have marked the real arrival of extreme metal in Brunei. Along with Grotesque and Evilorator, Daemon was quickly recognised as a handful of musicians who had created a landmark on their quiet little home.

The sound quality on this demo was godawful; perhaps as a result of decades long build up from audio artifacts which have degraded its overall quality. This sophomore effort (with the first being an eponymous demo released in 1990) offered six tracks of purely unmerciful assault. When one tries to draw a comparison according to contemporary definition of 'speed', this demo sure does lack one. However, it is this doomy approach that has somewhat set Hellstorm as arguably unique in its own right. Had the band lived long enough to become a successful entity, people would surely stick their neck up to this tape, curious over how Daemon did sound like during the early days. Alas, they have now been disbanded. What we have here is a legacy, left behind by our brothers who by now may have lost track on metal. This, children, is the real deal. If you just happened to know metal yesterday, I bet you are ignorant to the fact that your deathcore bands suck! What is the relevance? Well, new kids like new, glossy stuffs. Go figure

Track list:

1. Resurrection (Intro) 1:45
2. Fester the Souls 2:01
3. Mortal Human Butchery 3:12
4. Hellstorm 4:30
5. Theomachy 2:35
6. Awakenings (Outro) 0:35

Total time: 14:38

Format: .flac
Quality: Lossless
Bitrate: 1412 kbps
Frequency Rate: 44 kHz
Bit Depth: 24
Channel: Stereo
Size: 148 Mb (Un-Rar)
Password: manifestationovevil


Tombcrusher - (1993) Blackened Mass of the Third Holocaust of Evil [24 bit .flac]


Are you searching for some obscure blackened death outfit from the depths of Brunei Darussalam? This band evolved from Darklord and was formed in 1990. Perhaps Tombcrusher was one of the earliest extreme metal bands that quickly gained cult following among underground tape collectors at the time where snail mail reigned supreme. They had once stood strong alongside occult scenester Funerality, in which case both were originated from the small and peaceful Tutong district. Nowadays, Tombcrusher have become a silent monument, a testament to once burgeoning black / death metal battlefield of Brunei Darussalam. This is their third and last demo before they disbanded. The date of their dissolution as of date is still obscure but one thing remains clear, they will never be forgotten, not by old school devotees who know what it takes to become a metal fan at heart. Available as 24 bit .flac!

Track list:

1. Altar of Hell 2:08
2. Creation of Blasphemies 4:20
3. Unholy Hell of Seventh Dawn 3:07
4. Diabolical Obsession 3:02
5. Dawn of Evil 1:48
6. Blackened Mass of the Third Holocaust of Evil 5:12

Total time: 19:37


Format: .flac
Bit depth: 24
Quality: Lossless
Bitrate: 1412 kbps
Frequency Rate: 44 kHz
Channel: Stereo
Size: 198 Mb (Pre-Rar)
Password: manifestationovevil

Download 24 bit .flac

 

Sunday, December 18, 2011

Dissection - (1995) Storm of the Light's Bane [Rough Mix]


Dissection rough mixes of Storm of the Light's Bane. This version has different track listing than one found in the album. An extra track is also added called 'Feathers Fell'. I somehow prefer this rough mix tape over the actual sophomore release since each track has a darker feel to it. Songs like 'Night's Blood', 'Unhallowed' and 'Where Dead Angels Lie' are brutally sinister as compared to their later incarnations. This is raw and primitive, the sort of abomination that will consume the mechanics of cosmic scaffolding in untimely demise. Available as 320 kbps .mp3.

Track list:

1. At the Fathomless Depths 2:00
2. Soulreaper 6:55
3. Night's Blood 6:42
4. Where Dead Angels Lie 5:56
5. Feathers Fell 0:54
6. Unhallowed 7:29
7. Thorns of Crimson Death 8:07
8. Retribution / Storm of the Light's Bane 4:49
9. No Dreams Breed in Breathless Sleep 1:32

Total time: 44:24

Format: .mp3
Bitrate: 320 kbps (CBR)
Frequency: 44 kHz
Bit depth: 32 bit
Total size: 104 Mb (Pre-RAR)
Password: manifestationovevil

Sunday, August 21, 2011

Ormentzera - (2010) Betray [Single]

Dark Verministry are now a history. Its later form of rebirth 'Aglaophotis' is yet to produce any material to prove the moniker's worthy of existence. With members splintering between themselves, the future of Aglaophotis remains uncertain. Ail, former lead axeman of Dark Verministry is now reported to have 'retired' from everything metal. Clearly, his post - Verministry era has brought significant changes to how he sees things and how these things would later be an integral part to his life. Although some have argued over the impossibility of calling it quits from metal, Ail will say otherwise. Arif will also agree to this, with acquaintances citing him as slowly moving away from what once was his first and foremost forte in life. He begins to sell off his metal cassettes and paraphernalia to associates. Buie on the other hand is still struggling along the line of being the most hated person in Borneo. Believe it or not, this sad fact emerges not only from within this part of the country but people seem to have vehement enmity against him which has reached as far as Miri. His best comrade Han tends to stay away from getting caught up in the maelstrom of animosity perpetrated by hatred of men. Still, Han himself was once guilty of deserting his childhood colleague Ail when he chose metal over their friendship. This highly brisant situation has led people to hold grudge against the duo. Priority target is still focused on Buie while Han acts as ambassador who will try to the best of his ability to rectify any sticky situation between his trouble - ridden friend and people he comes in contact with.

Earlier on this blog, there is a mention of Ormentzera. This project features the former bassist of Dark Verministry by the name Arif, who by now is busy pursuing his university degree in science. During one fateful meeting, Arif has approached Han to send a new single that they have recently recorded called 'Betray'. The details of the recording are still obscure with much of the information has been withheld by Arif. According to Han, Arif takes over the vocal slot while playing bass. It is said that he ate some chocolate to achieve the desired vocal style. Going down to song analysis, Han personally feels that the song is given to him with some clandestine purpose. He believes by giving the song to Han, Arif may as well have partially exacted revenge unto Aglaophotis who as of date are still struggling to put out a solid record. Arif may also act on Ail's behalf, who Han believes the song serves as a huge slap in the face for what they did in the past to them (Arif and Ail). However, Han later dismisses this as nothing more than unconfirmed suspicion since he personally believes that whatever it was that happened between the four of them is now over and done with.

The song itself is a decent piece of melodic black metal with flowing solos and Senjakala - esque riffing. The guitars sound too asphyxiated to even be highlighted here. However, Ormentzera compensated this particular drawback with clear projection of drums and lead solos. At one time it can get quite annoying to hear the hi - hat; it's way too much for what this song actually is as if one is listening to a techno slab at auto show. Arif vocals are worthy of praise though. It's amazing that he can pull off a decent performance on this single. Surely he has quite a potential to become the next Draconaeon. As a side note, the latter is due to release their debut full length In Silence Mournful on a date yet to be announced. Again, the lyric to this song is something for Aglaophotis to think about, sit back and contemplate. The title itself says it all. What is this? Some kind of insinuation? It better be.

Overall a decent track with some enjoyable moments. This acts as a wake up call for Aglaophotis who is far left behind on every aspect. However, the brainchild behind said entity Han will never say die. In times to come, they too will release quite a handful of materials. Han has already envisioned the kind of music that Aglaophotis are set to deliver. With Ormentzera promulgating themselves as being successful in the forefront, there is nothing that their arch nemesis cannot do in the future.

Track list:

1. Betray 4:45

Total time: 04:45


Technical information: .flac [lossless] / 24 bit / 44 kHz / 48.26 Mb

Friday, August 12, 2011

Trelldom - (1994) Disappearing of the Burning Moon [Demo]


This is one of the most unknown and underrated black metal demos from Norway. Featuring a now - vilified figure in the history of Norwegian black metal by the name Gaahl, the band found themselves in a form of Trelldom. Nobody even pays so much attention to this great band since a lot of people know Gaahl from his stint later in Gorgoroth. The whole review can be read here.

Track list:
1. Sannhet Smerte og Død 5:42
2. Chains of Solitude 3:45
3. Dim Soul of Never 2:45
4. Disappearing of the Burning Moon 3:50
5. Til Evighet 4:07

Total time: 20:09

Monday, August 08, 2011

Seraphim - (2007) As for Now it Begins [Promo]

Seraphim old artwork

This is the second track (or first??) recorded by Seraphim back in 2006 and released a year later on November 12 2007. An epic grandeur of melody and mayhem, As for Now it Begins proved to be their most ambitious effort to date. Spanning nearly 11 minutes, the song opens up with decent yet memorable acoustic passages which became a trademark for any piece of music written by Malays in Southeast Asia. For those who are familiar with early non - wankering works of Cradle of Filth would readily acknowledge that Han's vocals were downright similar. However, there are a few things which separated them from myriads of imitators or wannabes at their backyard; Seraphim injected potent doses of solos unique to Malays which are alien to acts exported from across the globe. Although one might argue that some key elements are derivative, it remains imperative to note their unparalleled ingenuity. Something that is hard to come by these days. Another thing is, it seemingly epic proportion does not fall short of decent surprises and riffs that one can definitely headbang to. This is not art for art's sake. It goes way beyond that or perhaps deeper than anyone can begin to fathom. However, if you insist to disprove my claim, this song as for now begins to be absorbed within my system as we speak.

Tracklist:

1. As for Now it Begins 10:32

Total time: 10:32

Seraphim - (2006) Seraphim [Promo Track]


The band first came into being in 2003 after Jai decided to quit himself from Ouija. Their initial inception consisted of Didie on bass, Amir (formerly of Senjakala) on drums, Die as vocalist with Sofian and Jai on guitars respectively. In 2005, Sofian left the band and he was replaced by Han who subsequently became Seraphim second vocalist. The reason being Han was able to do shrieking vocal while Die was exclusively a growler for the band. Hailing from Brunei Darussalam, at least two songs were successfully recorded by the band. They had also toured Singapore, playing their first ever live show away from home alongside much anticipated appearance of fellow war brothers Draconaeon. In 2008, Seraphim were the first band to be interviewed by two members of now defunct Dark Verministry. The band opposed commercialism and they were known to have vehement adherence to anonymity endemic to underground milieu. Playing melodic death metal with a touch reminiscent of mid - era Cradle of Filth and Swedish death metal sound, particularly that of Gothenburg bands, Seraphim were among few bands that could outdo most 'core' craps in their area.

The song being featured here is perhaps one of two known songs they have recorded back in 2006 although the studio works may have started way earlier than that. Nevertheless, it depicts Seraphim ability to conjure even remotely plausible niche of art within death metal chamber. Song structures are fairly standard yet unpredictable to some degrees. The latter is largely attributed to its capability to entice listeners, both seasoned and amateur in a very intricate way. It also indicates a certain level of sophistication concerning Seraphim song writing skills in which they opted to eschew most banal elements from getting too stagnant, repetitive and one - dimensional. Their effort shines the most and what they do seems to have the potential of becoming something more.

Seraphim are currently in the process of recording another handful of tracks at Victorious Rock Production studio. Details as of yet remained unknown.

Tracklist:

1. Enchantment, the Black Rose of Anarchy & Destruction 6:27

Total time: 06:27

Friday, August 05, 2011

Hebiimetaru - (2008) Black Heart [Single]

Official Logo

Current band members

These guys are quite prominent over this side of equator. Well, at least in this country that is. The sample presented here features Amal on vocals. Yes, now a 20 year old woman. She later called it quits after some personal issues with the rest of the band, only to have her slot filled by ex - Evilive frontman Arif Sablee. In 2010, Hebiimetaru released their debut album Legion of Metaru featuring guest appearance of Yean Matusin. Well, metalcore peeps, this single is for you!

Tracklist:

1. Black Heart 4:52

Total time: 04:52

Monday, August 01, 2011

Dark Verministry - (2008) Genesis of Evil [Demo]


Two school friends met with a guy through Friendster. Both of whom shared similar interest, envisioning to establish a metal band of their own. Whereas this guy had been playing as session guitarist in some local metal bands, including Sahujja'Achra.

It all started somewhere at the end of 2006 when Ail, the then guitarist of Abysmal Thoughts befriended a fellow who happened to study at the same night class that he went to; Arif. While they were in the toilet during a break, they started off discussing about Metallica in which Ail referred to Arif's wispy goatee as reminiscent of later James Hetfield. Intrigued by this remark, Arif began curiously asking Ail whether he knew about Metallica and metal in general. Much to his surprise, Arif found out that Ail had been a long time fan of Metallica and heavy metal music. After a delightful revelation, they further developed a friendship with Arif began introducing Ail to heavier, more extreme underground metal bands.

Later that night, Ail contacted his long time friend whom he knew to have been very passionate about extreme metal; Han. The latter was also responsible for introducing Ail and his small circle of associates to bands such as Napalm Death, Deicide, Darkthrone, Burzum, Samael and Sil Khannaz during their stint at secondary and religious school. Ail sent few text messages to Han, most of which inquired him whether or not Han knew about the bands being mentioned in those texts, to which he responded by saying some of them did sound familiar. They later met with each other at a restaurant, where Ail introduced Han to Arif after they ordered some pirated metal albums from Arif at a price of BND$3,00 each. Since then, they maintained good communication with Arif bringing them to jam a few songs at his place as well as other jamming studio.

Prior to the creation of Dark Verministry, Han and Ail had established their own band with no apparent direction they could focus on. The two were accompanied by Hadi and Hakim with Sam occasionally lending a helping hand on bass. Among the songs that they regularly jammed prior meeting with Arif were Guns 'n' Roses, Creed and some other well known commercial hard rock acts. Sam however tried pulling Han and the rest of his friends into liking emo music, to which Han initially gave a nod since he wanted to have some taste of said genre. However, Han soon developed vehement animosity toward emo when some of its local fans began associating emo with Gothic rock / metal. The reason being Gothic had nothing to do with emo at the first place and that suicide among emo - obsessed teenagers was completely irrelevant. Sometime later, Han, Ail, Hakim and Sam promulgated Abysmal Thoughts as their moniker. According to Han, he named the band after a line from Dimmu Borgir's song 'Behind the Curtains of Night - Phantasmagoria' which can be found in their 1999 album Spiritual Black Dimensions; "[R]esurged in torrents of abysmal thoughts". At one point, Han expressed his concern that the music they were playing did not really fit in with what he actually envisioned. They nevertheless continued on to jam using the name Abysmal Thoughts.

In the afternoon of 2007, Han was called in to perform for a mini talent show that took place at now partially defunct Jerudong Park. He was shocked to receive such a news since the band had not been informed of doing any live performance any where in their country, let alone at the aforementioned amusement park. Once there, Ail and the rest quickly packed up their gear and assembled the equipments for a sound check which consumed significant amount of time. They stood watching each band perform in the cafe in front of them. Upon learning the fact that majority of the bands who came to perform on that day were playing emo / screamo type of music, Ail, Hakim and Han began to feel nervous since no way they could outperform those bands' prowess given that they had only started to play music in just under a year. This was particularly true with Han feeling quite anxious; he realised that his drumming skills were terribly mediocre compared to what he saw at that time. They later gathered among themselves with a new thing in mind; they were there for anything but to perform. Sam hired two vocalists; an unknown male and his female colleague by the name Elle, without prior informing the rest of the band. They later acquainted with their newly hired live singer Elle. They asked her to memorise the lyrics to Don't Cry which was perhaps the only old school hard rock song to have ever been played during the show. When Abysmal Thoughts were called on to perform, they played the song smoothly. It was until Ail lead solo part that thing started to get awry; he tried to play the solos wholeheartedly but since his guitar was held too high above waist level, the cable suddenly got unplugged, leaving the rest of his friends feeling quite shaky. The audience however rounded some applause although the sincerity might as well be questionable. At the end of their performance, the band quickly dismissed themselves from the venue out of embarrassment. Later they learned that Abysmal Thoughts had been given the worst possible review by the event organiser, citing that some instruments as well as Elle vocal were no where near audible. Distraught, the band quietly settled to jam on their own with no possibility of playing any more live shows in the future.

Initially Han wanted to create his own black metal band. This was what brought him to know Buie (alternate spelling Boy / Boi) from Tutong. The two first got acquainted through Friendster which by now had been long abandoned by the duo. Knowing that Buie was able to play rhythm guitar, Han asked Ail whether they could recruit him into Abysmal Thoughts, to which both agreed with a condition they first had to see each other in person. In essence, Han was more intrigued with bands Buie was listening to, with majority of those being black / death metal genres. With wealth exchange of information on bands and whatnot, the three started to jam heavier songs. Han attempted to further refine his drumming by trying out faster blast beats although his limited stamina inhibited him from fully mastering the technique. Han and Buie would later be introduced to Arif. Their meeting proved to be critical in later development of Dark Verministry as well as its subsequent demise during the latter half of their formation. They exchanged stories, mp3, DVDs; basically anything metal related would be their first and foremost cup of tea upon meeting each other. When Han felt that the name Abysmal Thoughts was no longer relevant (he also stated that the name would bring about disgraceful memory), they spent some time searching for better name that would reflect their overall mentality. Throughout this time, Han finally settled with Verministry; a name he thought as insinuation to some of Brunei wealthy ministries whom he believed were corrupt. Combined from 'vermin' and 'ministry', the name was initially seen as politically charged although Han and Buie later dismissed this as nothing more than oxymoron attempt to create something "insightful".

According to Buie, Aslan of NoirAtasya allegedly suggested the prefix 'Dark' be added on Verministry. Han personally asked Aslan whether or not this claim was true, to which Aslan denied involvement in creating said prefix. The band were quite ambitious though; they conducted interviews with some of underground's key figures such as Izzard, Adukasuria and members of Seraphim to name a few. The latter which both Han and Buie voted as the best interview they had ever done, citing that each of them had endless sense of humor while at the same time maintaining their unparalleled opinions that were honest and just. Footage of these interviews would then be compiled, edited and pressed on consumer grade DVD-R with the title Metalitary 2008. The DVD was joint production between Dark Verministry, who by now had lost one of its longest running members Ail due to creative differences with Han, Misfits Entertainment House with Boy of Victorious Rock Production lending his editing skills who was also featured as himself in the interview. Prior to Ail calling it quits from Dark Verministry, the trio, Han, Aerif and Ail did record a four - track demo, all of which were instrumental. The three were heavily influenced by Draconaeon and thus aimed to follow in the footstep of their fellow countrymen. Although the band felt quite hesitant to consider Genesis of Evil as their official demo, nevertheless they enamored to the idea that Dark Verministry had indeed recorded something.

On the afternoon of July 24 2008, Han and Ail went to jam at Arif's place, first rehearsing their favorite songs such as For Whom the Bell Tolls, Rivers of Blood, Rivers of Sorrow, A Kingdom Fallen among others before actually jamming their own songs which were largely created by Ail and Arif. The session was considered a crash course by the band; the were mostly unprepared and available instruments were meager both in terms of quality and performance. They somehow managed to perform three songs with the final being a keyboard driven melody that was done out of the blue by Ail. The band reacted differently to the songs that they had recorded through a consumer handheld camera, with audio extracted and fine - tuned by Han. According to Han, the raw, unedited stocks of the audio were extremely horrible that he had to spend the whole day trying to re-equalised each track in order to make each instrument more reasonably audible. Three songs showcased Ail's prowess as lead guitarist (who also filled in rhythm slot since Buie was unable to turn up), boasting melodic solos, rattling tempo changes and uneven song structure that were derivative from basic 4/4 signature. At least on one track, Arif did not fill his role as bassist since he was handling the camera. Han on the other hand was faced with greater difficulties; his naturally sweaty palms made it unreliable to acquire strong grip on his drum sticks and as a result, one of them was sent flying through the air. Arif had to pick up the stick and handed it over to Han, resuming their jam session. Lack of proper cymbals variety also contributed to monotony of Han drum patterns as he was only using a single pedal. Since Arif realised that their session was being recorded onto a camera, he fully utilised his bass playing skills especially those concerning improvised notes which for most part sounded way creative than what he used to play before. Nevertheless, the jam did not go without mistakes; there were times where Han would have difficult time catching up with Ail's abrupt tempo changes. This had contributed to Han playing out of tempo that plagued the first three songs on this demo. Given the fact that each of them did not know how to read music, they just played by ear. Most of them were untrained novice at that time. They had only but one thing; passion. Although sadly enough, the band soon disbanded due to growing personal issues among themselves, with Arif went on to form Ormentzera while Han and Buie moved forward as duo but not before changing their name again for one last time to Aglaophotis. Recently, rumor had it that Ail sold his Ibanez guitar along with amps and pedals through a friend for BND$850. Arif and Han remained on good terms while no contact had been established between Ail and Han. Everything went quiet for some time and Han had to finish his degree at a local university with Arif followed suit. The only person who remained consistent to this date was Han; he still holding on to the idea of creating a black metal band that as of now had yet to record any material due to restrictive schedule, lack of transportation and family commitment. This matter was addressed by Han and Buie when Aglaophotis were selected to appear in Emperor Zine 2010, issue number 6 starting on page 24.

Tracklist:

1. Depressurized Insanity 4:41
2. The Nameless One 4:48
3. Memory Lost Forgotten 4:34
4. Roses That Bleed and the Angel Forlorn 1:45

Total time: 15:48

Rust Sakaraz - (1996) Bloodwarhate [Demo]


Yet another death metal band from Brunei Darussalam. A relatively well known entity, Rust Sakaraz is first established back in 1995 at times where metal maintains its cult underground status. The band are fronted by Aslan who is widely believed to have been involved with a series of other side projects including The Mystikal East [sic] and Sahujja'Achra. Several others who come to assist him A.D on bass, Repertuar brandishing all guitars whereas Rasckal is hired as bass - assassin for numerous sessions.

The sound of this release allegedly harkens back to early work of Silent Death. Perhaps due to years of being kept in archive, the tape quality has degraded over time and this has somehow made the inferior sound even more gritty. 'The Death Incarnate' showcases acoustic driven intro backed by trembling bass which would later be recycled for 'Black Magic Velvet (Neurasthenia)'. As acoustic tranquility fades away, ear drilling guitars come forth to bring total destruction and cataclysm coupled with Aslan deathly vocals which make the second song as one of the best on this demo. It is no doubt that each man behind this project is truly talented. They know their music very well although there are moments where one can clearly aware of sloppy performance, most notably the drum fills. However, mistake is what made Bloodwarhate truly alive. It is raw and uncompromisingly promising unlike any other mainstream rock bands in Brunei who have their songs edited digitally in the studio just so they would sound great to braindead masses. Neither do Aslan and co. boast about where they did record this tape because they feel no need to do so. In all honesty, this is the type of music, sort of an art in its very primal form with embodiment of living souls housed into it. No one can dispute its originality and the creativity that each member has contributed is way out of question.

P/s: The ...Outro is strongly reminiscent of Peter Jackson 92' horror flick Braindead. In case anyone didn't notice.

Tracklist:

1. Intro 1:32
2. The Death Incarnate 4:27
3. Unknown 5:51
4. Lemathai's Wrath 5:40
5. Twelve Pagan Girls 3:06
6. Black Magick Velvet (Neurasthenia) 6:25
7. ...Outro 1:50

Total time: 28:51

Sunday, July 31, 2011

Funerality - (1994) Eros Darkness Tartarus [Demo]


This is perhaps one of few bands whose existence remained obscure to this very date. Boasting a short spanning career, Funerality are the most occult black metal band to have hailed from Brunei Darussalam. Fronted by Shyataan with the other two occult practitioners being Unholy Saint and Lob Omen, they embarked on a quest to fulfill their insatiable lust for dark menacing knowledge from beyond the realms of the living. Prior releasing this demo, at least two promotional tapes have been circulating in the metal reinforced underground bunker built specifically to accommodate this type of art. Despite having the worst probable quality ever known to sanity (digitally transferred from tape by underground militant activist Andika), some songs on this demo are as haunting as an abandoned mansion deep in the dead of night. One has to be patient enough to tolerate a 20 - minute long auditory torture inflicted by this demo. They later disbanded with Shyataan and Unholy Saint went on to form Sahujja'Achra. This proves that age old militants will never say die! These guys are at least persistent in their effort. The only thing they don't have enough is time. Budgetary concerns also comes into mind though; with majority of these occultists are now committed to lead their own family. No matter what they say, if there is a will there is a way.

Tracklist:

1. Intro (In Thy Infernal Dawn) 2:27
2. Spirits of the Deep, Who Never Sleep 3:50
3. Journey 3:49
4. In the Ancient Thrones [Live Rehearsal] 8:02
5. Outro 2:40

Total time: 20:48

Anarni - (1998) Demo '98 [2010 Reissue]


Black metal is still pretty much alive in this country. Its supporters range from middle age men to youngsters. Within this small faction of anonymity, therein lies a handful of posers who know nothing but to imitate what their peers are listening to. However, there are people who feel very determined to uphold the black metal torch alight; these people not only download .mp3 or .flac, they are also in high spirit to purchase original releases in support of their favorite bands. Among these people, some are involved in band and side projects and a few have been quite successful within the underground. This is when Anarni come into picture; consist of two well known musicians Pengiran Aslan and Adukasuria, they are later met with Pengiran Andika Harimau Berantai from Malaysia. The latter is very well known with his more successful project 'Singhasari', releasing a mini CD in 2010 which has been met with positive reviews.

As this demo manifests itself from within the treacherous depth of local underground vicinity, Anarni recorded three tracks with no vocals. It later goes into completion after Andika contributed his vocals and lyrics to the second track. After listening to this gem, a dedicated fan will have no problem of appreciating its raw yet atmospheric quality. The song itself is a nod to our ancestors who have fallen victims at the hand of colonial empires whose greed remain strong to this day, devouring every single resource in its path. In order to fully understand the mechanics and mentality of triumvirate behind this warring creation, one has no choice but to submit himself totally before this demo. Posers be warned: this demo may not befit your taste if you happen to be the kind of person condemning legacy bands who by now have existed for decades long before you even know what underground metal meant in actuality. It is a shame to hear deathcore fucks whining around about how not brutal Cannibal Corpse are that they appeared cool throughout the interview. If you have this type of mentality, go somewhere else. This is not the place you want to be.

Tracklist:

1. The March to War... (Intro) 0:40
2. Battle for Our Sacred Kingdom and Noble Ancestors 12:19
3. ...Mournful (Outro) 1:52

Total time: 14:51

Thursday, July 21, 2011

Sahujja'Achra - (2003) Reflect and Belief [.flac Demo]

 

Extreme metal in Brunei has remained an underground form of art. Given the country's stringent religious regulations on all things deemed as harmful to spiritual and moral well being of an individual, metal does not escape from being targeted by authority. Although the fact remains that metal has long seen its proliferation in this remote nation post independence, there has never been any act playing metal in its most revolting form other than Senjakala. Even the latter only made their debut at the gates of millennium where most Bruneians felt that local music industry literally sucked to the core. Shortly thereafter, Senjakala disbanded with members leaving the moniker to form different project; Amir, the original drummer of Senjakala joined Ouija which later changed name to Seraphim, its former guitarist by the name Yus decided to form a post thrash metal project by the name Reverance [sic], hiring vocalist from Singapore and recruiting former Senjakala drummer Adi (of Wan Long Kok fame) to lend a helping hand. The rest of the band, Jaz, Mawie, Sam and Adi pursued their musical career as Karacoma who finally released their debut album 'Shattered Mirrors' on July 2010.

Some of the bands mentioned above have earned themselves quite a distinctive fan base and following although the numbers may be considerably limited but people are quick to associate commercial rock / metal with Karacoma. However, beneath the glitters and away from the spotlight, a number of bands quickly gained notoriety among those who prefer to revel in something other than the superficial. The underground metal scene in Brunei has more to offer than meets the eye. One of these bands called themselves as Sahujja'Achra; a melodic death / doom metal band whose member includes Aslan (of NoirAtasya, Singhasari, and Anarni fame) and Amilin (formerly a member of kvlt black metal band Funerality). The band early manifestation however does not immediately recruit Aslan into the regiment. It is not until sometime in 2006 that he would eventually join Sahujja'Achra as studio drummer. In 2003, the band unleashed a two - track demo CD entitled 'Reflect and Belief' that has been pressed onto black CD-R and bound in paper sleeve. A session guitarist of Sahujja'Achra once told me that at least one of the two songs presented on the demo bear eerie resemblance to a song recorded by another metal band from the other part of this world. I have confirmed this allegation as true quite a few years back when he played both songs one after another. Could this have been a plagiarism? Or simply a collision of creativity that seems arbitrary? Whatever the answers maybe, this demo reflects what they do believe about their music. A hint of avant - garde element is thriving healthily on this demo and one can surely notice which direction the band in heading.

Tracklist:

1. The Wind 5:47
2. I'm Shadow 5:46

Total time: 11:33

Available with high resolution, 600dpi .tiff image scans

Monday, July 11, 2011

Grotesque - (2009) Demo 2009


Brunei's own death metal legend Grotesque was first baptised as Descending Horror somewhere in 1992 - 93. Home to some of the most deadly metal legends, Kuala Belait witnessed the incarnation of Grotesque with the release of Forgotten & Dismal demo tape in 1993. After this, the band went on a long hiatus beginning from 1996. After long period of silent slumber, in 2009 Grotesque rose once again; entering Victorious Record studio to rework and record their old demo track 'Let Me Fall' released independently to unsuspecting metal fans. Download the preview below and support the band for their upcoming release! Originally posted at Alam Durjana.

Tracklist:

1. Let Me Fall 6:20
2. Let Me Fall (Raw Instrumental Edit) 6:36

Total time: 12:56

Thursday, July 07, 2011

Draconaeon - (2003) Rivers of Blood, Rivers of Sorrow [Demo]


Draconaeon. A name that radiates powerful thermobaric shockwave across underground metal enthusiasts in Brunei. Fronted by the ever talented musician named Izzard, he recruited several other militants into Draconaeon (formerly known as Draconian but the name was already registered by another Italian band). They released a one track demo in 2003, aptly titled Rivers of Blood, Rivers of Sorrow to much critical acclaim. Backed by a female vocalist, this demo has left a huge impact crater among newcomers who looked up to them as inspiration.
Demo Cover

Tracklist:

1. Rivers of Blood, Rivers of Sorrow 6:13

Total time: 06:13
Download mp3@48 kHz 320 CBR
Download .flac@48 kHz
 Draconaeon@Myspace